Archive for category Projects

Nightstand: Drawer Tuning and Pulls

All of the dovetail joints for the drawer are now cut, the bottom panel grooves are in, and the panel itself is glued up. That leaves some fine-tuning of the drawer.

I found that the sides were a really tight fit, one that was likely to become too tight with the addition of too much humidity (or finish, for that matter). To fix it, I knocked off 1/32″ from each side with my jack and smoothing planes, and now it’s much more comfortable. I also had to trim a little off the tops, which was not a problem, either.

The matter of the pull remained. I could have bought something, but I decided that since this piece already had one thing that I stole from Krenov, I’d just do it again and make some sort of tongue-like thing. So after one false start, I pulled out a cutoff of the pacific madrone that I’d fooled with earlier and started sawing:

After some cuts and a little bit of planing, I got down to a roughly-rectangular chunk:

Then I put this into the vise, got out my favorite shaping tools and started working:

Before long, I had the basic shape that I was looking for:

Check out all of the rays that madrone has. Working with this little piece has been fun. It planes, cuts, and pares very easily, similar to apple or cherry. I’m a little unsure what to make of the way it feels when you touch it. It has sort of a soft, dry feel, but it’s not a terribly soft wood. It’s almost a “chalky” feeling. I’m looking forward to playing with some larger chunks.

Then I put a mortise in the drawer front and (carefully) cut the tenon in the pull:

A test-fit indicates that it seems to look the way I intended:

I think I might have some final smoothing to do on it, but that can wait until the drawer is glued up, and that step will come in a few days. There isn’t much else left to do on this project other than finish off the top and varnish everything.

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Nightstand: Frame Glueup, Drawer Started

With the shelf made, the front and back frames glued and set for a few days, there was nothing left to do but to glue up the whole frame.

I never have many pictures of the glueup process, because it’s really the only time when time matters a lot. When you’re under pressure to get all of the parts into the right places and into the frame before the glue starts to set, there really isn’t any chance to take photos. In addition, all of my shots are done on a tripod and involve long exposures because the lighting is really bad in the shop, and I can’t hold the camera steady anyway. Finally, my hands tend to get a little sticky with the liquid hide glue, so I don’t want to get any of that on my camera.

I can, however, take pictures of the piece when I’m finished and it’s in the clamps. Thanks to Jasen for lending me the pipe clamps and K-clamp:

This will be ready for varnish in a few days.

The two other remaining components of the project are the top and the drawer. I’ve got the boards for the drawer down to size and cut the half-blind dovetails for the front:

I’m a little concerned about the clearance in the front, it’s possible that this may be too tight of a fit. Depending on how it works out, I may knock off 1/32″ or less off of the faces of each side, because I don’t want this thing getting stuck inside the frame if the boards expand a little.

Though half of the joints are made for the drawer, I’m almost done, because the rear joints will be through dovetails, which are much faster to make. In addition, it’s likely that I will cut only two tails back there to keep it simple. Then there’s fitting the drawer bottom and finally, the drawer pull.

I may be finished cutting wood on the project this weekend.

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Nightstand: Bottom Shelf

The front and back of the nightstand are now glued up (Thanks for the help on the back, Jimmy). To complete the frame glue-up, the only obstacle remaining was to finish off the shelf that will go in the bottom. It will be held in place by a groove running around the frame.

Milling the boards for the shelf was a difficult task because there was a big nasty knot going through the two halves of the resawed board that I used. The discovery of this knot marked those boards as being for the shelf; it was possible to arrange them so that it would make the piece interesting but not look weird or overwhelm the otherwise clear (but not straight) grain.

So when I jointed the two boards and glued them together, I was prepared for the possibility that I might need to start again. Fortunately, this did not turn out to be the case; it flattened well with just a smoothing plane after the glueup, and so I was optimistic about the final steps.

The general idea for fitting this shelf is with “tongue” on the side of the shelf going into the groove in the lower stretchers in the frame. However, this tongue would not be a complete tongue; it would be formed by a simple rabbet extending around four edges of the shelf, and the shelf is to hang down so that the rabbet is invisible. With this design, it will be able to float in the frame and be able to expand and contract as it pleases.

I started by marking the underside as being the rabbeted face (the pencil marks going around the edges), and scribed a line 1/4″ from the top face (slightly harder to see in this photo):

Then I got out my Stanley #78, did the requisite fooling around with its adjustments, and cut the bulk of the rabbet almost down to the scribed line:

Then I used my Taiwanese rabbet plane to finish off the cut down to the line and fine-tune the fit:

The difference between setting up and using these two planes is like night and day. The Stanley is an older version without a depth adjuster, and while holding it is more comfortable than, say, holding Kerry King’s armband, your left hand always feels like it’s in an awkward spot. The Taiwanese plane is simple to set and adjust, and its comfortable “back” (“toe” in western terms, or something) is easy to grip and provides a very nice registration surface ahead of the cut. Overall, these two planes complemented each other very well for this task.

The completed shelf looks like this when upside-down:

You can see parts of the knot in the lower left. I was lucky that this did not extend much further into the board.

To fit the corners of the shelf at the legs, I had two choices: I could chop out a little notch on each corner on the shelf and fit it around the legs, or I could extend the grooves in the stretchers into the legs and slip the shelf in as-is. I opted for the latter approach because it seemed to me to be the easiest and the best-looking.

It was quick work with a chisel, since it’s only about 1/4″ square of wood to remove. Here are two of the extended grooves:

Finally, I did a test-fit. Success:

I’ll let the front rear frames sit for another few days before I glue up the whole frame. Now I need to decide whether I will size up/flatten the top or make the drawer. Apart from finishing, they are (surprisingly) the only two things left to do on this project.

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Bar Clamp Appreciation Week

I’m in the process of gluing up various components of the nightstand. I started with the rear panel, and actually did this with a rubbed joint (because I trust my rubbed joints enough to put them in a place where no one will see them).

The shelf on the bottom is made of two thicker pieces. I got out the clamps for this job, and it went about as well as it usually goes. My old bar clamps went underneath and I put a couple of F-clamps on the top. The bar clamps constantly fell over as I was working, as usual, and they’re really heavy, but eventually, I got the thing together.

Then it was time for the top, and a little voice in my head told me that if the bar clamps weren’t always falling over when I was trying to get stuff glued up, they might be a lot more pleasant to use. So I cut off a few sections of a 2×4 and made some stands. What a difference this made!

This took very little time to get set up and in place; because the screws to tighten the clamp are at the ends of the bars and free of obstruction, it was a piece of cake to swing the handles around. I also began to appreciate the impressive clamping power that these things have. The additional F-clamps I started with were the smaller, light-duty ones. Then I noticed that the bars on those were bowing a bit, so I switched to a heavier-duty clamp that was a little bit better (see above), but nothing like the bar clamps. It did not occur to me to use a couple of pipe clamps that I’m currently borrowing, sigh.

Let’s take a closer look at those clamp stands, made from a typical douglas-fir 2×4. You can tell that I really went all-out with the details on these. It’s funny how something so simple and cheap can make so much difference.

After going through all of this, I started wondering to myself how much it would cost to get a few more bar clamps, because I’ll be needing something to help out with other glue-ups in the future. Yikes, they sure do cost more than the $2 that these cost me. I guess I’ll be either borrowing clamps more or trawling more estate sales to get my fix.

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Nightstand: Panel and Groove Work, Router Plane Fence Changes

With the panels milled to thickness, it was time to make the grooves in the frame to house them. Normally, this isn’t such terrible work; I don’t have a plow plane, but I do have a router plane with a fence that I made and it works, just not as quickly as a plow. With this project, however, there were a few additional matters:

  • I needed an additional fence setting, because the grooves in the legs go at a different offset than the stretchers.
  • There are more than three times as many grooves to make in this project than my previous project.
  • All of the leg grooves are stopped on both sides.
  • Two of the stretchers have strange profiles.
  • Beech is much more difficult to work than the stuff I’ve used for other projects with panels.

I started by modifying my homemade router plane fence. First, I took it apart and replaced the wood screw fasteners with screw inserts and brass machine screws so that it would be easier to move around:

Then I drilled a few more holes at different offsets on the fence mount so that I could move the fence sideways. Here’s a view of the complete router plane and fence:

With this done, I did the grooves for the stretchers. These were mostly straightforward, except for the ones on the side middle. Viewed from one end, these have J-shaped profiles because they form part of the enclosure for the drawer. (I don’t think I will ever design anything like this again; I’ll just use additional stretchers or something to avoid complications like this.)

So first, I had to cut a groove about 3/4″ deep into the stretcher:

Then I scribed a line from the bottom of this to the proper height and sawed off most of the waste. The first time, I did it freehand (as shown below), but on the second one, I wised up and clamped a batten on top to use as a sort of guide.

Finally, I used a block plane to bring the side down to final height:

The stretchers were then out of the way, but the grooves in the legs remained, so I moved the fence on the router plane and did them.

The whole process took quite a long time. A plow plane would have made very quick work of the stretchers because those grooves aren’t stopped. However, the leg grooves were just slow going. There’s just a lot of constant time-consuming adjustment when you go progressively deeper on a router plane, especially an older one like this, where there is a little bit of play in the blade alignment. You have to be a little careful about how you tighten it. I imagine that the Veritas router plane doesn’t have this problem, but I’m not shelling out the dough to get one of those when I’ve already got one that works (I’d rather have a plow plane).

At long last, I was ready to start sawing the panels to size and fit into the grooves this morning. Turned out well; I now have the sides done (the back requires a glueup which is in progress):

I’m almost ready to glue up some of the frame.

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Nightstand: Decoration

One of the design specifications for the nightstand project was that it had to have “something curved.” After some grumbling about this, I decided to take it as an invitation to steal something I saw in one of Krenov’s books.

The first step was to resaw the wood for the piece. The target board was only 3.5″ wide and was a real piece of cake with the frame saw:

After getting this four-square, I headed back to the drawing board and squeezed out a full-scale drawing of the decoration piece. Unfortunately, I don’t have a big enough printer, so to make the template, I had to tape two pieces together using a light box from my old slide photography days and some mysterious hands:

In retrospect, this was a silly way to do it. I should have found someone who had a printer that can do legal size. (Strangely enough, I just ordered one, but not for this kind of thing.)

Next, I taped the frankentemplate to the board and traced the pattern:

Before anything else, I now had to address the way that the decoration was to be joined to the frame. Basically, this is a twin mortise-and-tenon, and the layout promised to be a pain. To mark the mortise offset into the frame piece, I did this:

  1. Test-fit the closest frame stretcher in its mortise.
  2. Lined up a piece of scrap flush with this stretcher’s front.
  3. Centered my mortise chisel alongside this piece.
  4. Made a mark with the chisel in the frame at this offset.
  5. Used a marking gauge to make a line for where to chop the mortises.

That sounds a little complicated, but it’s not. It was a lot easier than chopping the mortises themselves, because the mortises are so tiny that you have to be really careful prying out the waste, or you’ll dent up everything and have awful marks on the frame. Nonetheless, the task is complete soon enough:

Then, on to the tenons, which were also oh so much fun to lay out. It’s a little easier, though:

  1. Using the same stretcher test-fit, measure the distance between the depths of the front of the stretcher and the start of the mortises that you just cut.
  2. Set a (different) marking gauge to this distance and scribe it on a piece of scrap.
  3. Chop a mortise along the scribe line in the scrap (with the same chisel that you used for your original mortises, obviously).
  4. Set your mortise gauge according to the mortise in the scrap.

Hey, that wasn’t so bad, was it? The only real grumble I have with this right now (and this holds for all mortises) is that my mortise gauge takes too long to set. Because one screw fastens both arms, they touch (through a center plate), so when you’re setting one arm, the other one moves. You have to fiddle with it a lot. Grr, when I get some free time, I’m going to make some gauges and I am going to solve this stupid problem, and probably not by just using a single arm like some of those nice English and Japanese gauges.

The good news is that once you have your gauges set, you don’t have to reset them for the next joint if it’s the same type.

In any case, with the tenon marked, it was time to saw the cheeks and do the usual mortise-and-tenon stuff:

Before long, you have your tenons.

It was then time to cut out the pattern and shape. I did the cutting with my coping saw, and then I evened and squared up the top and bottom with my Shinto saw rasp:

I’ve mentioned before how much I like this tool, but it has its limits, and one of them is that it can’t get into confined spaces so well. To square up the insides, I pared across the grain with a chisel, and then used a knife in the tightest areas:

Then it was time to shape it. I used the old “finger on the side while holding the pencil” trick to outline the rounding depths:

Shaping the top was a matter of a minute or so with the saw rasp. The bottom was also reasonably fast with the Gramercy sawmaker’s rasp, though I would have preferred a larger half-round for that. I did the inside with anything that would fit. The last shaping tool was 80-grit Norton 3X sandpaper, which thankfully fits everywhere, which left me with this:

Then I hand-sanded with 120, 220, then 320 grit to get to the final point, and I test-fit it with the front of the frame:

It looks fine, I suppose, but it took longer to make this than I care to admit. I think I may glue up just the top tenons in the decoration to account for wood movement. This thing isn’t exactly structural.

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Nightstand: Frame Joinery Complete

The nightstand project requires 24 mortise-and-tenon joints for the external frame, four for the drawer runner supports, and four more for the decoration on the front. I’ve cut all of these except the ones for the decoration. Here’s a shot of a test-fit of the external frame (without the runners):

My speed improved significantly while making all of these joints. When I started the first one, it was taking me as long as 45 minutes to make one. Most of the time was spent paring off little bits of the tenons, most annoyingly, on the shoulders. By the time I did the drawer runner pieces, I was doing them in under 30 minutes. (Yeah, the pros do them six times faster, but I’m not a pro.) What’s more important to me than speed is accuracy, and that improved tremendously, too. All of my tenons now seem to fit right off the saw. The only paring I need to do is still that little bit on the shoulders, but it’s going faster now. I’m using the mystery chisel for that because a 1.5″ chisel has a lot of registration area. It really seems to be holding its edge well.

I also managed to cut myself with my dovetail saw. Ouch, I didn’t realize it was that sharp.

This project’s joints are a motley bunch. I’m using different offsets at different locations to try to maximize contact based on constraints of panel and corner placement. Some have haunches to improve alignment. Here’s a shot of the middle frame layer, the one that the drawers will rest upon, showing the drawer support runners that I just finished up today:

The runners, back, and right side are depicted in their intended final configuration, and the front and left sides are not attached. When finished, the sides will have rabbets with grooves for where the side panels will rest, and the rear will have a groove for the rear panel.

This is a shot of the current state of the parts and parts-to-be:

The mostly-complete parts (18 of them) are in the front, and the number of pieces in the back indicate that I still have a fair amount of work to do here:

  • join the top
  • join and rabbet the shelf
  • mill the pieces for the drawer and make the drawer
  • mill the panels
  • groove the frame for the panels and shelf
  • make the drawer pull (wood for drawer pull not shown here)
  • glue up everything
  • varnish

What to do next? Well, I’d better pick something. I do have a deadline for this piece. It’ll be either the decoration or joining the shelves, I think.

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Nightstand: Joinery Started

Yesterday, I finished milling all of the nightstand pieces except the drawer and panels. Looking back, it looks like it took me two and a half weeks to do all of it. It might have gone a little faster if the wood hadn’t moved so much after resawing. I had to go to another board to get enough consistent material for the top and shelf. The shelf was especially bad; I had originally intended that segment to be the top, but I introduced so much twist into the board when milling that I had to thin it out.

I wonder how much faster this would have gone with a bandsaw. When I think about it, probably not too much, because it would still require planing and more flattening, and if I get faster at that stuff, then that eliminates a big chunk of the time I spent on this. (The resawing, that’s a different story.)

But that’s mostly behind me now, so I arranged the pieces I had into the orientations that I’ll use for the frame layout:

It was a little tricky to get everything oriented so that none of the grain will stick out like a sore thumb. Some of the faces have ray fleck because they’re cut on the radial plane (as if they were from a quartersawn board), and although this pattern looks great in beech, I didn’t want to make it stand out on this piece. In addition, due to the various cuts on the board, the visible ray thicknesses vary slightly from piece to piece, so I matched them up on each side of the nightstand as much as possible.

With that done, I labeled each piece, made a map of the joints, and was able to do the top rear joints today–two little haunched mortise-and-tenon joints!

It’s such a relief to be at this stage now. My worries now are essentially how I should go about cutting these things. I started with the rear top because no one is ever going to see those, so if I mess them up, it’s okay. I guess I’ll finish off the rest of the joints around the top and work my way down to the next level, so that I can mark off the distances from existing joints as I go.

The joints will be a mixed bag of mortise-and-tenon joints. I’m using haunched ones at the top because I want more registration surface and I want to avoid blowing out mortises at the end (I was very careful this time). In the middle and the bottom, there will be more basic mortise-and-tenons, but the tenon lengths will vary. I have this in the drawing, or at least I pretend I do.

Making a map of the joints helps a lot. I had a mental one for the stool project, but because there are three times as many joints in this one, I decided to scribble it down on paper. And what an incredibly professional scribble it is.

You can see how I first drew it in 3D with circles and arrows (and a paragraph on the back of each one, har), but gave up on that and just broke it into top, middle, and bottom levels. I give each joint a number and when I cut a joint, I put the number on each piece. Here, the numbers go counter-clockwise around the frame from top to bottom. At first, I was numbering consecutively when moving from level to level, but then I decided it might be easier to just add ten to the starting number for the previous level and go about it that way. At the very least, it makes it easy to identify the level to which the joint belongs.

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Nightstand: Frame Pieces Milled

After a lot of resawing, scrubbing, and milling, I finally have all of the frame components milled to size:

It was a moderate amount of work–less than I thought, but still non-trivial. One of the biggest problems that I’m having is that the board I’m using has quite a bit of tension built up inside. Flatsawn 8/4 beech will do that to you. In any case, whenever I resaw (and sometimes when I rip), the board moves and I end up with some cupping. My reference face would be flat before the resaw, then afterwards, it would get cupped again–sometimes almost as much as 1/32″. By the third time this was about to happen to me, I wised up and took a slightly different approach so that I minimized the amount of waste and work that I had to do:

  1. Use the scrub plane to get the reference face flat.
  2. Use the jack plane with the heavily cambered blade to even out the scrub marks. A fore plane set up the same way would work fine, too. After this, the board should be pretty flat. Don’t break out the jointer yet.
  3. Scribe a line around the edges of the board from your reference face. Set the gauge 1/8″ thicker than the thickness that you’re ultimately aiming for. The line probably won’t be super-straight, but it will be straight enough.
  4. Resaw along that line. If you’re using a hand-powered saw instead of a bandsaw, do not forget to grunt and/or growl occasionally. The least you can do is scowl.
  5. Your reference face is no longer flat because some of the board’s tension was released; sigh if necessary.
  6. Reflatten your reference face, using the scrub first if necessary. This time, use your jointer, winding sticks, and all that jazz to get it totally flat.
  7. Scribe a line around the edges from the reference face, this time to the intended thickness, and mill down the opposite face as you normally would.

So in theory, I’m ready to cut some joinery. However, before I go crazy and start chopping mortises in the wrong place again, I have the the drawer, panel, top, and shelf components to mill. I’m using the wood left over from the resawing for the drawers and panels so that they match the frame:

There’s enough wood here for all of the drawer and panel parts.  Unfortunately, I have to do a lot of hogging and flattening on these pieces, too. The good news is that I don’t have to resaw any of these.

With these pieces all earmarked, that means I have (practically) nothing left from this board for making the top and the shelf. I’m a little surprised; I thought that one 6′ 7-inch-wide 8/4 board would be enough, judging from its weight and what I was visualizing. What I didn’t count on was how much all of the cupping and re-cupping from resawing would use up so much wood. This is fine, though; I grabbed another board from my stash and cut off a piece today. Perhaps it’s even better this way, because now I know that the top will be have consistent-looking wood, because its components will all come from the same part of one board.

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Nightstand: Legs Milled, Bench Scraped, Etc.

Today, I thought I would have the opportunity to get a lot of stuff done on the nightstand. It turns out that I didn’t get quite so much accomplished, at least in terms of the project. The legs are now milled to profile, which is great, because they’re the longest pieces in the project:

Further evidence that I should really make a saw bench sometime is that I managed to scrape up part of the bench while ripping the board:

Yeah, oops. It’s cosmetic, of course, but it begs the question of how I managed to do that in the first place. Well, I had the board held down over the edge of the bench while I started the cut. On cuts like this, I tend to do the first 1/3 of the cut over on the left side of the vise, and then move the board over to the right of the vise when finishing the cut.

This would be a lot easier on a sawbench, especially without a stupid vise in the way. Unfortunately, this is one of those things that I just don’t feel that I have the time for at the moment because I have to concentrate on the current project. On the list of other things that I should do sometime is really redo my bench top–move it flush to the legs according to the Gospel of Schwarz, get the rear vise jaw flush with the front, and maybe thicken up the top. Maybe I’ll have time for the sawbench at least when I’m finished with the nightstand.

But after the legs were milled, it occurred to me that there was one little thing that I really did need to address at the moment, and that was my jointer plane. The one I’ve been working with up until now is a frankenplane of sorts–an unknown early-type Stanley with a type 6-8 frog, a kidney-holed lever cap, and a Hock blade. Well, that’s all fine and good, except that the tote is broken and the lateral adjuster is kind of woogie. It works, but it’s annoying and sometimes makes the hand ache.

So I could have made a new tote (I had previously glued it back together but that didn’t last) and tried to bang out the kinks in the lateral adjuster, but it turns out that I had a Millers Falls #22 (type 2, postwar) right next to it that I had wanted to use at some point. In fact, back when I had my handle-varnishing jamboree about a year ago, the tote and knob from this plane were happy to attend. But mostly, it’s been sitting in pieces at the bottom of the bench, looking kind of stupid.

I pulled it out and spent an hour or so scraping and sanding off the rust, got most of the surfaces clean (primarily by wiping it with camellia oil), oiled the threads, and put everything back together. Then, for the final touch, I stole the Hock blade from my old jointer and put it in. Bingo, a “brand new” jointer:

Nope, no sole-flattening or anything. Mostly, it was all about cleaning out the dead spiders from the inside of the frog and making sure that it works. Really, that’s all I seem to care about in these metal planes now, quite a difference from when I first started out.

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